178 bars at 193 BPM -- fast, and 3:41 of it without a break -- on crash, hi-hat, snare, high tom, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-54, snare through bars 55-56, hi-hat through bars 57-105, silence through bars 106-120 and toms through bars 121-124, and 3 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 9-14, 25-31 and 57-63, and 4 more places -- 27.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----o---o---o---|o---o---o---o---|
SD |----x-------x---|----x-------x---|
BD |x-------x-x---x-|--x-----x-x-----|9 fills to learn, played 17 times: bars 24, 32, 40, 55, 56, 64 and 11 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
193 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
178 bars, about 3:41 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 24, 32, 40, 55, 56, 64 and 11 more.