185 bars at 192 BPM -- fast, and 3:51 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-23, toms through bars 24-33, hi-hat through bars 34-53, toms through bars 54-57, hi-hat through bars 58-73 and toms through bars 74-88, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 34-40, 42-47 and 58-63, and 3 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
59
1e+a2e+a3e+a4e+a
HH |x-o-x-o-x-o-x-o-|
SD |----x--x----x---|
BD |x---x---x---x---|19 fills to learn, played 34 times: bars 27, 41, 48, 49, 53, 54 and 28 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
192 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
185 bars, about 3:51 at the written tempo. The course breaks it into 67 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 34 times: bars 27, 41, 48, 49, 53, 54 and 28 more.