228 bars at 180 BPM -- fast, and 5:03 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 1-16, hi-hat through bars 17-25, snare through bars 26-35, hi-hat through bars 36-105, ride through bars 106-113 and hi-hat through bars 114-126, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 23, 50 and 52, and 47 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
94
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-------x-x-----|13 fills to learn, played 19 times: bars 24, 33, 34, 35, 42, 43 and 13 more.
It cuts the song into 69 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
228 bars, about 5:03 at the written tempo. The course breaks it into 69 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 24, 33, 34, 35, 42, 43 and 13 more.