178 bars at 156 BPM -- fast, and 4:34 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, hi-hat through bars 7-11, silence through bars 12-18, hi-hat through bars 19-26, snare through bars 27-34 and hi-hat through bars 35-48, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 43-45, and 27 more places -- 36.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
99
1e+a2e+a3e+a4e+a
CC |x-------------x-|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-------x-x---x-|15 fills to learn, played 30 times: bars 26, 33, 34, 42, 50, 74 and 24 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
156 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
178 bars, about 4:34 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 30 times: bars 26, 33, 34, 42, 50, 74 and 24 more.