184 bars of 4/4 at 126 BPM, about 5:50 of playing, on crash, ride, hi-hat, snare and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-90, ride through bars 91-95, hi-hat through bars 96-105, ride through bars 106-110, hi-hat through bars 111-120 and silence through bars 121-128, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 9-16, 18-19 and 21-24, and 12 more places -- 35.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
BD |x---x---x---x---|3 fills to learn, played 14 times: bars 56, 60, 64, 108, 112, 116 and 8 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
184 bars, about 5:50 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 14 times: bars 56, 60, 64, 108, 112, 116 and 8 more.