71 bars of 4/4 at 120 BPM, about 2:21 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-11, snare through bars 12-13, hi-hat through bars 14-23, snare through bars 24-27 and hi-hat through bars 28-33, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 2-4, 6-11 and 14-22, and 5 more places -- 76.1% of every bar the kit plays. Learn that one and the song is very nearly finished.
3
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o---|
SD |--x---x---x--xxx|
BD |x--xx---x--xx---|5 fills to learn, played 12 times: bars 5, 12, 13, 27, 34, 35 and 6 more.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
71 bars, about 2:21 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 12 times: bars 5, 12, 13, 27, 34, 35 and 6 more.