132 bars at 240 BPM -- fast, and 2:12 of it without a break -- on ride, hi-hat, snare, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-20, hi-hat through bars 21-60, snare through bars 61-70, ride through bars 71-80 and hi-hat through bars 81-132.
The beat the song is built on is one bar, played through bars 21-27, 29-30 and 81-130 -- 44.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
132 bars, about 2:12 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 28 minutes each.
ride, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.