177 bars of 4/4 at 140 BPM, about 5:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-12, ride through bars 13-24, hi-hat through bars 25-55, toms through bars 56-64, hi-hat through bars 65-84 and toms through bars 85-106, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 107-113, 115-121 and 123-129, and 4 more places -- 26% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
108
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-----xxx-x---xx|7 fills to learn, played 19 times: bars 4, 8, 24, 44, 56, 76 and 13 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
177 bars, about 5:03 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 4, 8, 24, 44, 56, 76 and 13 more.