183 bars at 193 BPM -- fast, and 3:48 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
hi-hat through bars 1-44, ride through bars 45-60, hi-hat through bars 61-93, silence through bars 94-96, ride through bars 97-107 and toms through bars 108-124, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 45-51, 53-59 and 101-107, and 3 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46
1e+a2e+a3e+a4e+a
RD |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|14 fills to learn, played 24 times: bars 4, 12, 20, 28, 36, 44 and 18 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
193 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 45 out of 100; the rest of the number is everything around it.
183 bars, about 3:48 at the written tempo. The course breaks it into 48 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 24 times: bars 4, 12, 20, 28, 36, 44 and 18 more.