71 bars of 5/4 -- not four -- at 92 BPM, 3:52 of playing on crash, ride, hi-hat, snare and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, hi-hat through bars 8-23, ride through bars 24-31, hi-hat through bars 32-33, ride through bars 34-38 and hi-hat through bars 39-45, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 8-12, 15-22 and 40, and 1 more place -- 34% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16
1e+a2e+a3e+a4e+a5e+a
HH |x-x-x-x-x-X-x-x-x-x-|
SD |--xx-x--x---xx-x--x-|
BD |x-----xx--x-----xx--|3 fills to learn, played 13 times: bars 23, 32, 33, 34, 35, 36 and 7 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 5/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
71 bars, about 3:52 at the written tempo. The course breaks it into 17 exercises over 7 sittings, about 22 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 13 times: bars 23, 32, 33, 34, 35, 36 and 7 more.