72 bars of 4/4 at a walking 85 BPM, 3:35 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-3, hi-hat through bars 4-68 and silence through bars 69-72.
The beat the song is built on is one bar, played through bars 9-11, 14-16 and 29-34, and 7 more places -- 48.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1...........2...........3...........4...........
HH |x-----------------x-----------x-----------x-----|
SD |------------x-----------------------x-----------|
BD |x-----------------------x-----------------------|8 fills to learn, played 14 times: bars 2, 3, 5, 7, 12, 17 and 8 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
72 bars, about 3:35 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 2, 3, 5, 7, 12, 17 and 8 more.