101 bars of 4/4 at a walking 98 BPM, 4:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-40, ride through bars 41-51, hi-hat through bars 52-54, ride through bars 55-57, hi-hat through bars 58-78 and ride through bars 79-96, and 1 more change after that.
The beat the song is built on is one bar, played through bars 9-15, 26-31 and 59-61, and 1 more place -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |------------x---|
BD |x-----x---------|14 fills to learn, played 27 times: bars 4, 16, 22, 24, 32, 37 and 21 more.
It cuts the song into 41 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
101 bars, about 4:07 at the written tempo. The course breaks it into 41 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 4, 16, 22, 24, 32, 37 and 21 more.