90 bars at 182 BPM -- fast, and 1:59 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-68, ride through bars 69-71, hi-hat through bars 72-78, snare through bars 79-85 and hi-hat through bars 86-90.
The beat the song is built on is one bar, played through bars 27-31, 51-55 and 72-74, and 2 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28
1e+a2e+a3e+a4e+a
HH |x-o-x-o-x-o-x-o-|
SD |--x---x---x---x-|
BD |x---x---x---x---|7 fills to learn, played 13 times: bars 8, 24, 25, 26, 32, 35 and 7 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
182 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
90 bars, about 1:59 at the written tempo. The course breaks it into 36 exercises over 13 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 8, 24, 25, 26, 32, 35 and 7 more.