283 bars at 186 BPM -- fast, and 6:05 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-3, toms through bars 4-5, silence through bars 6-7, toms through bars 8-9, silence through bars 10-11 and toms through bars 12-13, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 42-43, 45-46 and 48, and 11 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
45
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |--------x-------|
BD |x---x-x-----x-x-|17 fills to learn, played 38 times: bars 16, 23, 24, 40, 47, 54 and 32 more.
It cuts the song into 85 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
186 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
283 bars, about 6:05 at the written tempo. The course breaks it into 85 exercises over 26 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 38 times: bars 16, 23, 24, 40, 47, 54 and 32 more.