174 bars of 4/4 at 148 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-32, ride through bars 33-40, hi-hat through bars 41-64, ride through bars 65-98 and toms through bars 99-100, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 49-64, 122-124 and 126-127, and 3 more places -- 31.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
49
1e+a2e+a3e+a4e+a
HH |x---X---x---o---|
SD |----x------gx---|
BD |x-x---x-x-xx--x-|
HF |--x---x---x---x-|10 fills to learn, played 19 times: bars 36, 40, 72, 88, 91, 92 and 13 more.
It cuts the song into 49 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
174 bars, about 4:42 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 36, 40, 72, 88, 91, 92 and 13 more.