78 bars of 4/4 at a walking 100 BPM, 3:07 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, snare through bars 17-33, hi-hat through bars 34-42, snare through bars 43-67, hi-hat through bars 68-69 and silence through bars 70-71, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 26-33, 60-67 and 72-77 -- 36.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
26 27
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-x-------------|----------------|
SD |--x-x-x---x-x-x-|--x-x-xx--x-x-x-|
BD |x-x--x-x--x--x-x|x-x-----x-x--x-x|3 fills to learn, played 3 times: bars 25, 59 and 68.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 40 out of 100; the rest of the number is everything around it.
78 bars, about 3:07 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 25, 59 and 68.