213 bars at 192 BPM -- fast, and 4:26 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bar 1, silence through bars 2-16, ride through bars 17-32, snare through bars 33-40, ride through bars 41-63 and snare through bars 64-88, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 33-38, 73-78 and 81-86, and 5 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33
1.......2.......3.......4.......
CC |x---------------x---------------|
SD |----------------x---------------|
BD |x---x---x---x---x---x---x---x---|7 fills to learn, played 10 times: bars 32, 40, 80, 88, 136, 156 and 4 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
192 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
213 bars, about 4:26 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 10 times: bars 32, 40, 80, 88, 136, 156 and 4 more.