168 bars at 170 BPM -- fast, and 3:57 of it without a break -- on crash, hi-hat, snare and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-140, snare through bars 141-144, hi-hat through bars 145-161 and snare through bars 162-168.
The beat the song is built on is one bar, played through bars 9-11, 13 and 50-55, and 8 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-x-----x-x-|
BD |x-x-----x-x-----|5 fills to learn, played 14 times: bars 16, 46, 48, 56, 80, 104 and 8 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
168 bars, about 3:57 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 14 times: bars 16, 46, 48, 56, 80, 104 and 8 more.