320 bars at 160 BPM -- fast, and 8:00 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-85, toms through bars 86-92, hi-hat through bars 93-153, toms through bars 154-160, hi-hat through bars 161-249 and kick and crashes through bars 250-253, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 35-43, 94-109 and 112-120, and 5 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
36
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---x---|12 fills to learn, played 28 times: bars 34, 44, 57, 66, 89, 93 and 22 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
320 bars, about 8:00 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 34, 44, 57, 66, 89, 93 and 22 more.