222 bars of 4/4 at 138 BPM, about 6:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-6, ride through bars 7-30, hi-hat through bars 31-46, ride through bars 47-62, hi-hat through bars 63-86 and ride through bars 87-101, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 31-37, 39-45 and 63-69, and 10 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
111
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |o---o---o---o---|
SD |--------x-------|
BD |x---x-x-x-x---x-|11 fills to learn, played 23 times: bars 6, 14, 22, 46, 54, 62 and 17 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
222 bars, about 6:26 at the written tempo. The course breaks it into 64 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 6, 14, 22, 46, 54, 62 and 17 more.