154 bars at 200 BPM -- fast, and 3:05 of it without a break -- on crash, hi-hat, snare, high tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-22, silence through bars 23-38, hi-hat through bars 39-53, silence through bars 54-63, hi-hat through bars 64-69 and silence through bars 70-74, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 5-8, 10-11 and 13-22, and 7 more places -- 94.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--------------oo|
SD |----x---x---x-xx|
T1 |----x-----------|
BD |x-x-x-x-x-x-x-xx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
154 bars, about 3:05 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom and kick. Nothing in the part asks for anything else.