191 bars at 172 BPM -- fast, and 4:27 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-16, kick and crashes through bars 17-23, ride through bars 24-27, kick and crashes through bars 28-30, silence through bars 31-32 and kick and crashes through bars 33-34, and 25 more changes after that.
The beat the song is built on is one bar, played through bars 39, 42-43 and 47-48, and 11 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
47
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |x---------------|19 fills to learn, played 72 times: bars 17, 20, 21, 28, 29, 33 and 66 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
172 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
191 bars, about 4:27 at the written tempo. The course breaks it into 67 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 72 times: bars 17, 20, 21, 28, 29, 33 and 66 more.