192 bars at 240 BPM -- fast, and 3:02 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on how many notes a second it asks for.
ride through bars 1-7, toms through bars 8-12, hi-hat through bars 13-27, toms through bars 28-29, hi-hat through bars 30-35 and toms through bars 36-37, and 27 more changes after that.
The beat the song is built on is one bar, played through bars 22-24, 26-27 and 30-32, and 8 more places -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22
1.......2.......3.......4.......
CC |x-------------------------------|
HH |--------o-------o-------o-------|
SD |----------------x---------------|
BD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|31 fills to learn, played 74 times: bars 4, 8, 9, 11, 12, 14 and 68 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 70 out of 100; the rest of the number is everything around it.
192 bars, about 3:02 at the written tempo. The course breaks it into 70 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
31 fills to learn, played 74 times: bars 4, 8, 9, 11, 12, 14 and 68 more.