183 bars of 4/4 at a walking 78 BPM, 9:17 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-8, kick and crashes through bars 9-10, hi-hat through bars 11-15, silence through bars 16-24 and kick and crashes through bars 25-28, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 90-96, 107 and 111, and 7 more places -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
90
1.......2.......3.......4.......
CC |x---------------x---------------|
HH |----o---o---o-------o---o---o---|
SD |--------x-----x---------x-----x-|
BD |x-x---x---x-----x-x---x---x-----|14 fills to learn, played 26 times: bars 24, 52, 69, 75, 77, 79 and 20 more.
It cuts the song into 78 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
183 bars, about 9:17 at the written tempo. The course breaks it into 78 exercises over 30 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 26 times: bars 24, 52, 69, 75, 77, 79 and 20 more.