120 bars of 4/4 at 122 BPM, about 3:56 of playing, on hi-hat, snare, kick and hi-hat foot.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-19, snare through bars 20-64, silence through bars 65-68 and snare through bars 69-120.
The beat the song is built on is one bar, played through bars 21-63, 69-96 and 98-103, and 2 more places -- 91.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
22
1.....2.....3.....4.....
SD |x--x--r--x--x--x--r--x--|
BD |x-----------------x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 19 out of 100; the rest of the number is everything around it.
120 bars, about 3:56 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 22 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.