227 bars at 243 BPM -- fast, and 3:44 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-36, toms through bars 37-39, silence through bars 40-41, ride through bars 42-73, hi-hat through bars 74-76 and toms through bars 77-82, and 7 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 23-25, 27-28 and 31-32, and 15 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 24
1.....2.....3.....4..... 1.....2.....3.....4.....
CC |x-----------x-----------|x-----------x-----------|
SD |x-----------------------|------------------------|
BD |x--x--x--x--x--x--x-----|------x--x--x--x--x-----|12 fills to learn, played 20 times: bars 30, 37, 65, 77, 79, 80 and 14 more.
It cuts the song into 55 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
243 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
227 bars, about 3:44 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 20 times: bars 30, 37, 65, 77, 79, 80 and 14 more.