69 bars, 3:47, at 73 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-12, hi-hat through bars 13-19, kick and crashes through bars 20-21, hi-hat through bars 22-45, silence through bars 46-47 and hi-hat through bars 48-63, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 22-38, 40 and 42, and 3 more places -- 64% of every bar the kit plays. Learn that one and the song is very nearly finished.
49
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |--------x---------------x-------|
BD |x---------------x-----------x---|4 fills to learn, played 5 times: bars 20, 39, 41, 43 and 62.
It cuts the song into 14 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
73 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
69 bars, about 3:47 at the written tempo. The course breaks it into 14 exercises over 4 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 5 times: bars 20, 39, 41, 43 and 62.