120 bars of 4/4 at 126 BPM, about 3:48 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-12, hi-hat through bars 13-20, snare through bars 21-38, toms through bars 39-40, hi-hat through bars 41-60 and snare through bars 61-86, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 29-31, and 3 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |--------x---------------x-------|
BD |x-x-x-x-----x-x---x-x---x-x-x-x-|19 fills to learn, played 36 times: bars 8, 11, 12, 20, 36, 39 and 30 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
120 bars, about 3:48 at the written tempo. The course breaks it into 56 exercises over 18 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 36 times: bars 8, 11, 12, 20, 36, 39 and 30 more.