128 bars of 4/4 at a walking 98 BPM, 5:13 of playing, on crash, ride, snare, mid tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bar 1, ride through bars 2-79, silence through bars 80-105 and ride through bars 106-128.
The beat the song is built on is one bar, played through bars 20-37 and 46-59 -- 32% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1e+a2e+a3e+a4e+a
RD |--------------x-|
SD |---------xx-x-x-|
BD |xxxxx-x-xxxxx-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
128 bars, about 5:13 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 23 minutes each.
crash, ride, snare, mid tom and kick. Nothing in the part asks for anything else.