168 bars of 4/4 at 136 BPM, about 4:56 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-16, snare through bars 17-48, hi-hat through bars 49-56, snare through bars 57-72, hi-hat through bars 73-80 and snare through bars 81-88, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 19-20, 22-23 and 27-28, and 11 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 20
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-g-x-g-x-g-x-g-|x-g-x-g-x-g-x-x-|
SD |--------x-------|--------x-------|
BD |x-xxx-xx-xx-x-xx|x-xx-xx---xxx-x-|15 fills to learn, played 54 times: bars 17, 24, 25, 32, 33, 40 and 48 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
168 bars, about 4:56 at the written tempo. The course breaks it into 51 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 54 times: bars 17, 24, 25, 32, 33, 40 and 48 more.