73 bars of 3/4 -- not four -- at 70 BPM, 3:10 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
62 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
silence through bars 1-3, hi-hat through bars 4-26, ride through bars 27-32, hi-hat through bars 33-42, ride through bars 43-46 and toms through bars 47-48, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-15, 17-19 and 21-24, and 5 more places -- 44.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5
1...........2...........3...........
HH |x-----x--x--x-----x-----x-----x-----|
SD |------------------x--------x--------|
BD |x--------------------------------x--|5 fills to learn, played 11 times: bars 26, 42, 46, 47, 48, 50 and 5 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
62 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 37 out of 100; the rest of the number is everything around it.
73 bars, about 3:10 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 26, 42, 46, 47, 48, 50 and 5 more.