200 bars of 4/4 at 137 BPM, about 5:50 of playing, on crash, hi-hat, snare and kick.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-175, kick and crashes through bars 176-180, snare through bars 181-191, kick and crashes through bars 192-195 and snare through bars 196-200.
The beat the song is built on is one bar, played through bars 1-43, 45 and 61-80, and 3 more places -- 41.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-----x-x-----x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
200 bars, about 5:50 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.