135 bars of 4/4 at 120 BPM, about 4:30 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-6, snare through bars 7-15, kick and crashes through bars 16-20, snare through bars 21-35, kick and crashes through bars 36-40 and hi-hat through bars 41-45, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 26-40, 46-50 and 56-60, and 4 more places -- 46.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
26
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x---x---x---x---|
HF |--x---x---x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 14 out of 100; the rest of the number is everything around it.
135 bars, about 4:30 at the written tempo. The course breaks it into 27 exercises over 6 sittings, about 29 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.