249 bars at 180 BPM -- fast, and 5:51 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bar 1, silence through bars 2-8, snare through bars 9-72, toms through bars 73-77, snare through bars 78-80 and toms through bars 81-84, and 21 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 14-16, 22-24 and 30-32, and 13 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 15
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x-x-----x-----x-|
SD |--------x-------|--------x-------|
BD |--x-x---x---xxxx|xxx---x---x-x-x-|17 fills to learn, played 39 times: bars 8, 74, 75, 76, 81, 82 and 33 more.
It cuts the song into 67 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
249 bars, about 5:51 at the written tempo. The course breaks it into 67 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 39 times: bars 8, 74, 75, 76, 81, 82 and 33 more.