65 bars of 4/4 at a walking 90 BPM, 2:53 of playing, on crash, snare, kick and hi-hat foot.
51 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
kick and crashes through bars 3-4, snare through bars 5-26, silence through bars 27-50, snare through bars 51-53 and silence through bars 54-65.
The beat the song is built on is one bar, played through bars 12-19 and 21-25 -- 46.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
13
1e+a2e+a3e+a4e+a
SD |--r---r---r---r-|
BD |x-x-xgx-x-x-x-x-|
HF |XxxXxXxXXxxXxXxX|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 62 out of 100; the rest of the number is everything around it.
65 bars, about 2:53 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 26 minutes each.
crash, snare, kick and hi-hat foot. Nothing in the part asks for anything else.