238 bars at 184 BPM -- fast, and 5:09 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-3, snare through bars 4-17, toms through bars 18-19, kick and crashes through bars 20-21, toms through bars 22-23 and hi-hat through bars 24-47, and 37 more changes after that.
The beat the song is built on is one bar, played through bars 32-46, 65-70 and 72-86, and 2 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
33
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---x---|24 fills to learn, played 62 times: bars 7, 18, 19, 47, 48, 49 and 56 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
184 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
238 bars, about 5:09 at the written tempo. The course breaks it into 58 exercises over 15 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 62 times: bars 7, 18, 19, 47, 48, 49 and 56 more.