272 bars at 203 BPM -- fast, and 5:22 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-34, snare through bars 35-36, hi-hat through bars 37-44, ride through bars 45-51 and kick and crashes through bars 52-53, and 29 more changes after that.
The beat the song is built on is one bar, played through bars 119-125, 127 and 135-141, and 4 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
144
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-x-x-x-x-x-x-x-|23 fills to learn, played 45 times: bars 16, 22, 26, 35, 36, 40 and 39 more.
It cuts the song into 81 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
203 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
272 bars, about 5:22 at the written tempo. The course breaks it into 81 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 45 times: bars 16, 22, 26, 35, 36, 40 and 39 more.