191 bars of 4/4 at 135 BPM, about 5:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-17, kick and crashes through bars 18-33, ride through bars 34-41, kick and crashes through bars 42-57, hi-hat through bars 58-61 and kick and crashes through bars 62-63, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 66-68, 70-71 and 74, and 41 more places -- 29.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
74
1e+a2e+a3e+a4e+a
CC |x---------------|
RD |--------x-------|
SD |--------x-------|
BD |x---------------|7 fills to learn, played 13 times: bars 64, 65, 88, 89, 97, 112 and 7 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
191 bars, about 5:40 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 64, 65, 88, 89, 97, 112 and 7 more.