300 bars of 4/4 at 128 BPM, about 9:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-28, kick and crashes through bars 29-39, hi-hat through bars 40-56, ride through bars 57-59, toms through bars 60-68 and snare through bars 69-72, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 76, 78 and 80, and 28 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
76
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |--x-x-----------|20 fills to learn, played 41 times: bars 40, 55, 56, 58, 59, 64 and 35 more.
It cuts the song into 76 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
300 bars, about 9:23 at the written tempo. The course breaks it into 76 exercises over 16 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 41 times: bars 40, 55, 56, 58, 59, 64 and 35 more.