116 bars at 160 BPM -- fast, and 2:52 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-13, hi-hat through bars 14-97, toms through bars 98-109, snare through bars 110-112 and hi-hat through bars 113-116.
The beat the song is built on is one bar, played through bars 70-85 and 113-115 -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
71
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---x---|5 fills to learn, played 22 times: bars 20, 21, 24, 25, 32, 33 and 16 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
116 bars, about 2:52 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 22 times: bars 20, 21, 24, 25, 32, 33 and 16 more.