148 bars at 164 BPM -- fast, and 3:37 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, hi-hat through bars 9-52, snare through bars 53-56, hi-hat through bars 57-77, silence through bars 78-100 and snare through bars 101-113, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 45-51, 53-59 and 101-106, and 3 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
51
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |x-------x-------|6 fills to learn, played 14 times: bars 12, 16, 32, 36, 40, 52 and 8 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 7 out of 100; the rest of the number is everything around it.
148 bars, about 3:37 at the written tempo. The course breaks it into 32 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 12, 16, 32, 36, 40, 52 and 8 more.