84 bars of 4/4 at 126 BPM, about 2:39 of playing, on ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
42 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
snare through bars 1-17, hi-hat through bars 18-27, snare through bars 28-33, hi-hat through bars 34-41, toms through bars 42-45 and hi-hat through bars 46-84.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 6-8 and 10-12, and 3 more places -- 21.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 3
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
SD |----rrrrr-------|----------------|
BD |x-------------x-|x-------------x-|
HF |----x-------X---|----x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
84 bars, about 2:39 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 24 minutes each.
ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.