227 bars at 170 BPM -- fast, and 5:21 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-27, hi-hat through bars 28-41, toms through bars 42-47, kick and crashes through bars 48-51, toms through bars 52-55 and hi-hat through bars 56-71, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 56-58, 60-62 and 64-66, and 11 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
56
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x----x--x--x-x--|28 fills to learn, played 76 times: bars 27, 29, 30, 31, 32, 33 and 70 more.
It cuts the song into 78 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
227 bars, about 5:21 at the written tempo. The course breaks it into 78 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 76 times: bars 27, 29, 30, 31, 32, 33 and 70 more.