173 bars of 4/4 at 140 BPM, about 4:57 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-70, ride through bars 71-75, hi-hat through bars 76-119, silence through bars 120-126, hi-hat through bars 127-140 and ride through bars 141-145, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 6-15, 26-27 and 29-35, and 5 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------x-------|4 fills to learn, played 8 times: bars 72, 84, 110, 118, 134, 142 and 2 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
173 bars, about 4:57 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 72, 84, 110, 118, 134, 142 and 2 more.