140 bars of 4/4 at a walking 104 BPM, 5:22 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-42, snare through bars 43-44, hi-hat through bars 45-69, ride through bars 70-72, hi-hat through bars 73-84 and silence through bars 85-94, and 1 more change after that.
The beat the song is built on is one bar, played through bars 33-39, 45-59 and 61-64, and 7 more places -- 41.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
34
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x-------x---|
BD |x--x--x---x--x--|5 fills to learn, played 9 times: bars 32, 43, 44, 60, 68, 69 and 3 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
140 bars, about 5:22 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 32, 43, 44, 60, 68, 69 and 3 more.