190 bars at 198 BPM -- fast, and 5:22 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
kick and crashes through bar 1, silence through bars 2-6, hi-hat through bars 7-24, snare through bars 25-32, hi-hat through bars 33-48 and toms through bars 49-50, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 42-48, 60-66 and 70, and 1 more place -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42
1.......2.......3.......4.......
HH |o---o---o---o---o---o---o---o---|
SD |--------x---------------x-------|
BD |x-x-x-x-----x-x-x-x-x-----------|10 fills to learn, played 24 times: bars 32, 40, 49, 50, 53, 54 and 18 more.
It cuts the song into 53 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
198 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 89 out of 100; the rest of the number is everything around it.
190 bars, about 5:22 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 32, 40, 49, 50, 53, 54 and 18 more.