92 bars of 4/4 at 144 BPM, about 2:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-44, toms through bars 45-52, hi-hat through bars 53-68, silence through bars 69-72 and hi-hat through bars 73-80, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 29-31, and 7 more places -- 35.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |x-x---x---------|13 fills to learn, played 15 times: bars 12, 20, 28, 36, 40, 44 and 9 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
92 bars, about 2:33 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 15 times: bars 12, 20, 28, 36, 40, 44 and 9 more.