70 bars of 4/4 at a walking 92 BPM, 3:03 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-12, snare through bars 13-22, hi-hat through bars 23-34 and snare through bars 35-70.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 17-19 and 35-37, and 5 more places -- 36.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
13 14
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |----x-------x---|----x----x--x---|
BD |x--------xx-----|x--x---x---x-x-x|5 fills to learn, played 18 times: bars 5, 6, 7, 8, 12, 16 and 12 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
70 bars, about 3:03 at the written tempo. The course breaks it into 25 exercises over 9 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 18 times: bars 5, 6, 7, 8, 12, 16 and 12 more.