180 bars at 180 BPM -- fast, and 4:07 of it without a break -- on crash, hi-hat, snare, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-16, hi-hat through bars 17-92, snare through bars 93-94, hi-hat through bars 95-100, snare through bars 101-102 and hi-hat through bars 103-106, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 49-54, 57-62 and 67-78, and 9 more places -- 43.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
50
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|6 fills to learn, played 13 times: bars 47, 48, 55, 56, 94, 102 and 7 more.
It cuts the song into 39 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
180 bars, about 4:07 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 13 times: bars 47, 48, 55, 56, 94, 102 and 7 more.