104 bars of 4/4 at a walking 94 BPM, 4:11 of playing, on ride, hi-hat, snare and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 2-4, hi-hat through bars 5-76 and ride through bars 77-104.
The beat the song is built on is one bar, played through bars 30-35, 46-51 and 62-67, and 1 more place -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
104 bars, about 4:11 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 24 minutes each.
ride, hi-hat, snare and kick. Nothing in the part asks for anything else.